The stage includes the same instruments, sounds, and playability as Standard and PRO. Pianoteq Stage is the choice of the budget-minded musician who does not need to modify the sound. If you are an expert who needs every level of control possible, then upgrading is a solid option. It is for true composers for whom budget is not an issue, only the music. The Pro version is more advanced and detailed. You won’t modify the sound as much as with the paid version, but you will still have access to the same instruments and sounds. If the budget is something that you consider, Pianoteq Stage is the lite version. You can even use a maximum of 5 microphones placed virtually on the instrument to produce a different sound with each setup. You can change the sound in numerous ways to achieve a textured final result. Pianoteq enhances the music-making and listening experience. We found it rewarding and fun to play with these new instrument sounds. It includes the pianos, percussion sections, and electronic versions. You will notice that acoustically, realism is increased. This new version 6 does make some improvements on previous versions. It is a big help to those wanting a lightweight way to work on their laptop. Instead of samples, the file sizes are thus much smaller. It means you will have a more accurate simulation of instruments’ complex and rich behavior. The main reason is that it uses instruments with physical modeling. Pianoteq is different than other virtual instruments. It can also be in AudioUnits or AAX formats. Built-in graphic velocity curve with keyboard presets.Pianoteq is a virtual instrument used as a separate application or as a plug-in VST for various music software suites. Built-in graphic equalizer with freely adjustable key points. Adjustable optional samples of acoustic noises (pedal and key release). It can be used successfully with a laptop (low hardware requirements). Sostenuto pedal, harmonic pedal and Una Corda (soft) pedal. Progressive sustain pedal, allowing partial-pedal effects. Adjustable spectrum profile, based on the first 8 overtones. Adjustable piano size (soundboard) and other similar parameters. Adjustable unison width (tuning) and other similar parameters. Adjustable hammer hardness (voicing) and other similar parameters. Real progressive variation of the timbre (127 velocities per note). No quantization noise (32-bit internal sampling at 48 KHz). It includes the entire complexity of a real piano (hammers, strings, duplex scale, pedals, cabinet). The piano sound is constructed in real time, responding to how the pianist strikes the keys and interacts with the pedals. It is in fact the first virtual piano factory - it can produce new brands as well as copies of historical instruments. Pianoteq is the first and only piano belonging to the fourth generation, developed in order to go beyond the limitations of the third generation and to become a versatile and innovating tool. It was followed in the 20th century by the second generation electro-acoustic pianos and the third generation sampled pianos where each note is a recording of how it sounded during a specific moment in time, not taking into account the complexity of the instrument. The first generation of pianos began with Cristofori's pianoforte in 1698 which came to maturity at the end of the 19th century with the acoustic grand pianos. Second generation: electro acoustic piano (1929) This is the very first, and only, piano available that belongs to this generation. Pianoteq is the result of an academic research and results in what we call the fourth piano generation.
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